http://operalab.org The Gilles Denizot Voice Studios | Season 2011-12 Sat, 18 Feb 2012 13:49:23 +0000 hourly 1 http://wordpress.org/?v=3.2.1 http://operalab.org/technical-checklist/#comment-1158 OperaLab Sat, 18 Feb 2012 13:49:23 +0000 http://operalab.org/?p=3225#comment-1158 Dear Aliki, I am glad if they can help. Sing well! Dear Aliki, I am glad if they can help. Sing well!

]]> http://operalab.org/technical-checklist/#comment-1157 Aliki Sat, 18 Feb 2012 12:49:00 +0000 http://operalab.org/?p=3225#comment-1157 Thank you for sharing those tips! Thank you for sharing those tips!

]]> http://operalab.org/the-beginner-singer/#comment-1156 Vocal Warm-Up | OperaLab. Wed, 08 Feb 2012 09:25:17 +0000 http://operalab.org/?p=1680#comment-1156 [...] Cuperto (c.f. article The Beginner Singer): this exercise in its one-octave version (for female singers) or in its two-octaves version (for [...] [...] Cuperto (c.f. article The Beginner Singer): this exercise in its one-octave version (for female singers) or in its two-octaves version (for [...]

]]> http://operalab.org/posture-and-breath/#comment-1155 Vocal Warm-Up | OperaLab. Wed, 08 Feb 2012 09:23:57 +0000 http://operalab.org/?p=1380#comment-1155 [...] functions, it is unwise to force the body to open and maintain the rib cage stretched (c.f. article Posture and Breath). Healthy singing is about balancing antagonistic functions. It has been observed that the [...] [...] functions, it is unwise to force the body to open and maintain the rib cage stretched (c.f. article Posture and Breath). Healthy singing is about balancing antagonistic functions. It has been observed that the [...]

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