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The Light Lyric Tenor
Within the tenor vocal category, there is a voice that some call light lyric tenor. This type of singer must be appropriately taught. One cannot reveal or develop his specific vocal characteristics when trained as a lower-voiced tenor (even as a lyric tenor). One must pay extra attention to the singer’s body shape, his exact Passaggio notes, his fitting repertoire.
Article \ Arts \ Beginner \ Bjoerling \ Breath \ Breathing \ Caruso \ Cover \ Cuperto \ Exercices \ Franz Schubert \ Garcia \ Lindquest \ Music \ Passaggio \ Posture \ Registration \ Repertoire \ Sieber \ Singing \ Technique \ Ténor \ Voice \ Voice type
The Beginner Singer
Working with a beginner takes a similar approach at first whatever the vocal category. The basics notions of posture and breathing are almost identical. However, once the true voice type of the student is established, a voice tutor must respect it. Teaching a soprano in the mezzo range does not help at all; training a tenor as a baritone until he gains high notes is counter-productive, to say the least. It is of the utmost importance that a student be trained in his/her appropriate vocal category.
Alan R. Lindquest \ Article \ baritone \ Ben Heppner \ Fach \ Heinrich Knote \ Heldentenor \ Lauritz Melchior \ Lawrence Gilman \ Melchior \ New York Herald Tribune \ Richard Miller \ Ténor \ Torsten Ralf \ Tristan \ Voice \ Wagner \ William Vennard
Thoughts on Tristan, the Heldentenor Voice, and Lauritz Melchior
While searching for documents on the Heldentenor Lauritz Melchior I discovered an eloquent article signed by the eminent music critic Lawrence Gilman, published on March 21, 1929 in the New York Herald Tribune.
Alfredo Kraus \ Article \ Giacomo Lauri Volpi \ Passaggio \ Posture \ Souffle \ Ténor \ Tito Schipa \ Vibrato \ Voix
Le ténor lyrique léger
Le ténor lyrique léger | Gilles Denizot Il existe, au sein de la catégorie vocale des ténors, un chanteur que certains appellent ténor lyrique léger. Ce type de voix doit recevoir un enseignement approprié. Lorsqu’on l’entraîne comme les ténors plus graves (y compris comme le ténor lyrique), on ne parvient ni à en révéler ni [...]
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